In 2001, Edgar Degas completed a painting that mimicked the dazzling style of Rembrandt, a fifteenth century artist and the last of the Great Masters. Critics believe that this was as similar as possible to Rembrandt’s original style. Although some of the techniques used by Degas are reminiscent of the twentieth century master Pablo Picasso, Picasso has himself confessed that he was influenced by the tradition of the Great Masters. The considerations given best serve as part of an argument that
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