mikemcgarry wrote:
In 1865, the then-revolutionary sound of Wagner’s opera Tristan und Isolde was due to the relative atonality of the so-called “Tristan chord.”
(A) In 1865, the then-revolutionary sound of Wagner’s opera Tristan und Isolde was due to the relative atonality of the so-called “Tristan chord.”
(B) In 1865, Wagner created what was then a revolutionary sound in his opera Tristan und Isolde, this sound caused by the relative atonality of the so-called “Tristan chord.”
(C) In 1865, the relative atonality of the so-called “Tristan chord” was causing the the then-revolutionary sound of Wagner’s opera Tristan und Isolde.
(D) Because of the relative atonality of the so-called “Tristan chord,” Wagner’s 1865 opera, Tristan und Isolde, had a then-revolutionary sound.
(E) The relative atonality of the so-called “Tristan chord” has caused the then-revolutionary sound of Wagner’s 1865 opera Tristan und Isolde.
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